The movie is highly anticipated.. it’s a modern movie about the dangers of teenage sexual promiscuity. Instead of exchanging bodily fluids that lead to an STD, the couple involved will become victims of a sexually transmitted CURSE.. that follows.
I have read a number of accounts and early spoiler information about this movie–it looks to be one of the freshest and most creative horror movies that we will be getting in 2015.Some have even called it a ‘masterpiece‘!
Reviews like that often don’t happen in the mainstream world for this genre..The UK INDEPENDENT’s Geoffrey Macnab reviewed the movie with a positive four out of five star conclusion.. Macnab wrote,
“The ingenious new teen horror film It Follows will intrigue, puzzle and trouble audiences by turns.”
And this:
“This may be a horror movie but it has some of the same feel as Larry Clark’s cautionary tales about mixed-up, laidback American kids. It is shot as artfully as Clark’s films and, like them, portrays a self-enclosed teen society in which parents and teachers don’t intrude.”
For many years, any watcher of horror either random or astute would know that films often play on the fears of the youth.. Jason Vorhees killed the immoral, in a sense he was the ultimate champion of religious fervor–slaughtering the promiscuous party animal teens that skipped foreplay and went right to the deed at Camp Crystal Lake.
Perhaps no one saw the irony in his kills, the idea that he was the biblical old testament God reigning judgement down on those who sinned.. This new film seems to keep with that same idea: Sin and sex.
In IT FOLLOWS, the predator and villain can only be seen by those who have been cursed with the sexual relations that spread it.. An keeping with my long held notion that horror movies, in any given time (and professional wrestling), perfectly symbolize the current state of modern pop culture for that generation, Macnab paints a similar picture in his INDEPENDENT review, writing:
“It Follows plays not just on the kids’ ambivalence about their own sexual desires, but also on their disgust at the idea of their parents’ sexual lives. The Freudian elements sit alongside action sequences (a car crashing in a cornfield, an explosive final-reel stand-off at the local swimming pool). This is also a love story of sorts. Paul (Keir Gilchrist) is besotted with Jay. He is just a little too geeky for her to consider as a suitor but he is persistent and loyal. His innocent devotion is in very stark contrast to the depravity that surrounds the teenagers..”